Derek Jarman’s film Blue Essay -- Film Movie Movies AIDS Essays

Derek Jarmans film BlueI am a cock imbibeStraight actingLesbian manWith ball crushing bad mannersLaddish nymphomaniac politicsSpunky sexist desiresOf incestuous inversion and paradoxical ter secondologyI am a Not Gay (Blue, Jarman 1995 119). In offering this extract from Derek Jarmans film Blue, (England, 1993) I have established an prospect that this papers concern is with the sexual system of East End boot stomping, ball crushing queens. However, whilst this sequence has caught our imagination, my interest also lies in the psychoanalysis of the cinematic confrontation of the diseased and medicalised carcass of the artist affected by HIV/AIDS.However, in the film Blue, we see neither the diseased nor disappearing body of the filmmaker who has AIDS. Jarmans body is embodied sonically rather than visually in the film, to counter retrogressive depictions of people living with HIV. Thus, Jarmans depiction of the diseased body in Blue is inferred rather than seen.1 This representa tion of the body may appear to be at odds with AIDS activist discourse, which has advocated at length for convinced(p) images of people living with HIV/AIDS (PLWHA)2 since the 1980s.3 However, Derek Jarmans strategy to challenge and derail the notion of visibility was also aligned with an impulse to visually represent his loss of optical vision due to HIV related illness. The strategy to deny the viewer a visual image of the person with AIDS was effectively a counterpoint to the saturation of images that was prevalent in early 1990s put up modern culture.4 The intersection between queer activist politics and post modernist culture was important to the practice of many western artists working around issues associated with HIV... ...Beauvais, Y 1992, AIDS A SIDA, film, France, 51/2 minBordowitz, G 1993, refrain Trip, Long Drip, US, video, 56 minCartwright, J 1993, There we are John Derek Jarman interviewed by John Cartwright, UK, video, 30 min.Demme, J 1993, Philadelphia, film, US, 155 minGoldin, N & Coulthand, E 1996 Ill be your Mirror, video, US, 52 minHaynes, T 1996, Safe, film, US, 118 minHoolboom, M 1998, Panic Bodies, film, Canada, 70 minJarman, D 1994, Blue, film, UK, 75 minRiggs, M 1991, Anthem, video, USA, 10minSpottiswoode, R , And The Band Played On, USA, film, 140minTartaglia, J 1989, Eco Homo, USA, video, 7 min------------1988, A.I.D.S.C.R.E.A.M., USA, video, 6 min Thew, A 1993, Cling Film, UK, film/video, 20minThomas, I 1992,The Dreaming, UK, video, 13 min------------1992, The Fading, UK, video, 5 minVon Trier, L 1987 Epidemic, Denmark, film, 105 min

They Flee From Me by Thomas Wyatt :: sixteenth-century lyric poem poetry

Thomas Wyatt, They Flee From Me Set of Multiple-choice Questions Analyzing a Poem Sir Thomas Wyatts sixteenth-century lyric They vanish from me is an enigmatic poem that pleases at least partly because it provides no final certainty about the situation it describes. Yet the poem, while in some esteem indefinite and puzzling, is nevertheless quite specific in its presentation of a situation, particularly in the second stanza, and it treats a recognizable human experience--that of having been forsaken by a lover--in an original and intriguing fashion. They flee from me, that sometime did me seek with naked foot stalking in jay chamber. I have seen them gentle, tame, and meek That now are wild, and do not remember (5) That sometime they put themself in danger To take cover at my hand and now they range, Busily seeking with a uninterrupted change. Thanked be fortune it bath been otherwise Twenty quantify better, but once in special, (10) In thin array after a grateful guise * When her loose gown from her shoulders did fall, And she me caught in her arms long and small, * Therewithal sweetly did me kiss, And softly said, Dear heart, how like you this? (15) It was no dream I lay panoptic waking. besides all is turned thorough my gentleness Into a strange fashion of forsaking, And I have leave to go of her goodness, And she also to use newfangleness. (20) But since that I so kindly am served, I would fain know what she hath deserved. *manner or style * slender The image developed in the starting line stanza is especially striking, with its suggestion of once tame and friendly animals who have reverted to wildness and will no longer risk the seemingly innocent taking of bread from the speakers hand. This stanza establishes at once the theme of change, a change from a special, privileged condition to one of apparent mistrust or fear, and the sense of strangeness (no interpretation is given for the change) that will continue to trouble the speaker in the third stanza. Strangeness is inherent in the image itself -- with naked foot stalking in my chamber - -- and the stanza is filled with pairs of words that reinforce the idea of contrast flee/seek, tame/wild, sometime/now, take break/range. Most interestingly, we are never told who they are. base from this somewhat disconcerting description of the speakers present situation, the second stanza abruptly shifts the reader to an earlier moment in the speakers life when Thanked be fortune, it hath been otherwise/Twenty times better.